Brian Peter George St. John le Baptiste de la Salle Eno (born 15 May 1948), commonly known as Brian Eno and previously, simply as Eno (pronounced /ˈiːnoʊ/), is an English musician, composer, record producer, music theorist and singer, who, as a solo artist, is best known as one of the principal innovators of ambient music.
Eno studied at art school, taking inspiration from minimalist painting, but he had little musical education or playing experience when he joined the band Roxy Music as their keyboards and synthesisers player in the early 1970s. Roxy Music's success in the glam rock scene came quickly, but Eno soon tired of conflicts with lead singer Bryan Ferry, and of touring, and he left the group after the release of For Your Pleasure (1973)...
beginning his solo career with the art rock records Here Come the Warm Jets (1974) and Taking Tiger Mountain (By Strategy) (1974). Eno extended his reach into more experimental musical styles with No Pussyfooting (1973) and Evening Star (1975) collaborations with Robert Fripp, The Lamb Lies Down on Broadway (1974) by Genesis where he is credited with Enossification, the influential Another Green World (1975) and Discreet Music (1975). His pioneering ambient efforts at "sonic landscapes" began to consume more of his time beginning with Ambient 1/Music for Airports (1978) and later Apollo: Atmospheres and Soundtracks (1983) which was composed for the documentary film For All Mankind. Eno nevertheless continued to sing on some of his records, ranging from Before and After Science (1977) to Another Day on Earth (2005) as in Wrong Way Up (1990) with John Cale. Eno's solo work has been extremely influential, pioneering ambient and generative music, innovating production techniques, and emphasizing "theory over practice".He also introduced the concept of chance music to popular audiences partly through collaborations with other musicians. By the end of the 1970s, Eno had worked with David Bowie on the seminal "Berlin Trilogy," helped popularise the American punk rock band Devo and the punk-influenced "No Wave" genre, and had begun to work frequently with Harold Budd, John Cale, Cluster, Robert Fripp and David Byrne, with whom he produced the influential My Life in the Bush of Ghosts (1981). He produced and performed on three albums by Talking Heads, including Remain in Light (1980), produced seven albums for U2, including The Joshua Tree (1987), and worked on records by James, Laurie Anderson, Coldplay, Paul Simon, Grace Jones and Slowdive, among others. As an artist, Brian Eno pursues multimedia ventures in parallel to his music career, including art installations, a newspaper column in The Observer, and "Oblique Strategies" (written with Peter Schmidt), a deck of cards in which each card has a cryptic remark or random insight meant to resolve a dilemma. He continues to collaborate with other musicians, produce records, release his own music, and write. He also writes a regular column on society and innovation in Prospect magazine.Brian Eno was born in 1948 at Phyllis Memorial Hospital, Woodbridge, Suffolk, educated at St. Joseph's College, Birkfield, Ipswich,and at Ipswich Art School in Roy Ascott's Groundcourse, and the Winchester School of Art, graduating in 1969. In school, he used a tape recorder as musical instrument, and experimented with his first, sometimes improvisational, bands. St. Joseph's College teacher and painter Tom Phillips encouraged him, recalling "Piano Tennis" with Eno, in which, after collecting pianos, they stripped and aligned them in a hall, striking them with tennis balls. From that collaboration, he became involved in Cornelius Cardew's Scratch Orchestra. The first released recording in which Eno played is the Deutsche Grammophon edition of Cardew's The Great Learning (rec. Feb. 1971), as one of the voices in the recital of The Great Learning Paragraph 7. Another early recording was the Berlin Horse soundtrack, by Malcom Le Grice, a nine-minute, 2 x 16mm-double-projection, released in 1970 and presented in 1971.
Roxy Music
Brian Eno's professional music career began in London, as a member (1971–1973) of the glam/art rock band Roxy Music, initially not appearing on stage with them at live shows, but operating the mixing desk, processing the band's sound with a VCS3 synthesizer and tape recorders, and singing backing vocals. He then progressed to appearing on stage as a performing member of the group, usually flamboyantly costumed. He quit the band on completing the promotion tour for the band's second album, For Your Pleasure because of disagreements with lead singer Bryan Ferry and boredom with the rock star life.
In 1992, he described his Roxy Music tenure as important to his career: "As a result of going into a subway station and meeting Andy [saxophonist Andy Mackay], I joined Roxy Music, and, as a result of that, I have a career in music. If I'd walked ten yards farther, on the platform, or missed that train, or been in the next carriage, I probably would have been an art teacher now".[8] During his period with Roxy Music, and for his first three solo albums, he was credited on these records only as 'Eno'. [edit] Solo work Eno embarked on a solo career almost immediately. Between 1973 and 1977 he created four albums of largely electronically inflected avant-garde pop songs – Here Come the Warm Jets, Taking Tiger Mountain (By Strategy), Another Green World and Before and after Science, though the latter two also contained a number of minimal instrumental pieces in the so-called ambient style. Tiger Mountain contains the galloping "Third Uncle", one of Eno's best-known songs, due in part to its later being covered by Bauhaus. Critic Dave Thompson writes that the song is "a near punk attack of riffing guitars and clattering percussion, 'Third Uncle' could, in other hands, be a heavy metal anthem, albeit one whose lyrical content would tongue-tie the most slavish air guitarist."[9] These four albums were remastered and reissued in 2004 by Virgin's Astralwerks label. Due to Eno's decision not to add any extra tracks of the original material, a handful of tracks originally issued as singles have not been reissued ("Seven Deadly Finns" and "The Lion Sleeps Tonight" were included on the deleted Eno Vocal Box set and the single mix of "King's Lead Hat" has never been reissued). During this period, Eno also played three dates with Phil Manzanera in the band 801, a "supergroup" that performed more or less mutated selections from albums by Eno, Manzanera, and Quiet Sun, as well as covers of songs by The Beatles and The Kinks. In 1972, Eno developed a tape-delay system first utilized by Eno and Robert Fripp (from King Crimson), described as 'Frippertronics', and the pair released an album in 1973 called (No Pussyfooting). It is said the technique was borrowed from minimalist composer Terry Riley, whose tape delay feedback system with a pair of Revox tape recorders (a setup Riley used to call the "Time Lag Accumulator") was first used on Riley's album Music for The Gift in 1963.[10] In 1975, Fripp and Eno released a second album, Evening Star, and also played several live shows in Europe. Eno was a prominent member of the performance art-classical orchestra the Portsmouth Sinfonia - having started playing with them in 1972. In 1973 he produced the orchestra's first album The Portsmouth Sinfonia Plays the Popular Classics (released in March 1974) and in 1974 he produced the live album Hallellujah! The Portsmouth Sinfonia Live At The Royal Albert Hall of their infamous May 1974 concert (released in October 1974.) In addition to producing both albums, Eno performed in the orchestra on both recordings - playing the clarinet. Eno also deployed the orchestra's famously dissonant string section on his second solo album Taking Tiger Mountain (By Strategy). The orchestra at this time included other musicians whose solo work he would subsequently release on his Obscure label including Gavin Bryars and Michael Nyman. That year he also composed music for the album Lady June's Linguistic Leprosy, with Kevin Ayers, to accompany the poet June Campbell Cramer. Eno continued his career by producing a larger number of highly eclectic and increasingly ambient electronic and acoustic albums. He is widely credited with coining the term "ambient music",low-volume music designed to modify one's perception of a surrounding environment. His first such work, 1975's Discreet Music, (again created via an elaborate tape-delay methodology, which Eno diagrammed on the back cover of the LP ), is considered the landmark album of the genre. This was followed by his Ambient series (Music for Airports (Ambient 1), The Plateaux of Mirror (Ambient 2), Day of Radiance (Ambient 3) and On Land (Ambient 4)). Eno was the primary musician on these releases with the exception of Ambient 2 which featured Harold Budd on keyboard, and Ambient 3 where the American composer Laraaji was the sole musician playing the zither and hammered dulcimer with Eno producing. In 1980 Eno provided a film score for Herbert Vesely's Egon Schiele Exzess und Bestrafung, also known as Egon Schiele Excess and Punishment. The ambient-style score was an unusual choice for a historical piece, but it worked effectively with the film's themes of sexual obsession and death. In 1981, having returned from Ghana and before On Land, he discovered Miles Davis' 1974 track "He Loved Him Madly", a melancholy tribute to Duke Ellington influenced by both African music and Karlheinz Stockhausen: as Eno stated in the liner notes for On Land, "Teo Macero's revolutionary production on that piece seemed to me to have the "spacious" quality I was after, and like Federico Fellini's 1973 film Amarcord, it too became a touchstone to which I returned frequently." Eno describes himself as a "non-musician" and coined the term "treatments" to describe his modification of the sound of musical instruments, and to separate his role from that of the traditional instrumentalist. His skill at using "The Studio as a Compositional Tool" (the title of an essay by Eno) led in part to his career as a producer. His methods were recognized at the time (mid-1970s) as unique, so much so that on Genesis's The Lamb Lies Down on Broadway, he is credited with 'Enossification'; on Robert Wyatt's Ruth Is Stranger Than Richard with a Direct inject anti-jazz raygun and on John Cale's Island albums as simply being "Eno".Obscure Records label
Collaboration
In 1975 Eno performed as the Wolf in a rock version of Sergei Prokofiev's classic Peter and The Wolf. Produced by Robin Lumley and Jack Lancaster, the album featured Gary Moore, Manfred Mann, Phil Collins, Stephane Grapelli, Chris Spedding, Cozy Powell, Jon Hiseman, Bill Bruford and Alvin Lee. Also in 1975, Eno provided sythesizers and treatments on Quiet Sun's Mainstream album alongside Phil Manzanera, Charles Hayward, Dave Jarrett, and Bill MacCormick, and he performed on and contributed songs and vocals to Phil Manzanera's . InDiamond Head album81
EnoCollaborated with David Byrne of Talking Heads (which he had already anagrammatized as 'King's Lead Hat') on My Life in the Bush of Ghosts, which was built around radio broadcasts Eno collected while living in the United States, along with sampling recordings from around the world transposed over music predominately inspired by African and Middle Eastern rhythms. He worked with David Bowie as a writer and musician on Bowie's influential 1977-79 'Berlin Trilogy' of albums, Low, "Heroes" and Lodger, on Bowie's later album Outside, and on the song "I'm Afraid of Americans". In 1980 Eno developed an interest in altered guitar tunings, which led to Guitarchitecture discussions with Chuck Hammer, former Lou Reed guitarist. Following on from his No-Wave involvement which brought him in contact with the "renegade" artist Greg Belcastro, who introduced him to the guitar techniques of a fledgling Sonic Youth, Eno has also collaborated with John Cale, former member of Velvet Underground, on his trilogy Fear, Slow Dazzle and Helen of Troy, Robert Wyatt on his Shleep CD, with Jon Hassell, with the German duo Cluster, with composers Harold Budd, Philip Glass and Roberto Carnevale. A new collaboration between David Byrne and Brian Eno titled Everything That Happens Will Happen Today was released digitally on 18 August 2008, with the enhanced CD released in October.
1990s
In 1992, Eno released an album featuring heavily syncopated rhythms entitled Nerve Net, with contributions from several former collaborators including Robert Fripp, Benmont Tench, Robert Quine and John Paul Jones. This album was a last-minute substitution for My Squelchy Life, which featured more pop oriented material, with Eno on vocals. (Several tracks from My Squelchy Life later appeared on 1993's retrospective box set Eno Box II: Vocals.) Eno also released in 1992 a work entitled The Shutov Assembly, recorded between 1985 and 1990. This album embraces atonality and abandons most conventional concepts of modes, scales and pitch. Much of the music shifts gradually and without discernible focus, and is one of Eno's most varied ambient collections. Conventional instrumentation is eschewed, save for treated keyboards. During the 1990s, Eno became increasingly interested in self-generating musical systems, the results of which he called generative music. The basic premise of generative music is the blending of several independent musical tracks, of varying sounds, length, and in some cases, silence. When each individual track concludes, it starts again mixing with the other tracks allowing the listener to hear an almost infinite combination. In one instance of generative music, Eno calculated that it would take almost 10,000 years to hear the entire possibilities of one individual piece. Eno has presented this music in his own, and other artists', art and sound installations, most notably "I Dormienti (The Sleepers)", Lightness: Music for the Marble Palace, Music for Civic Recovery Centre, The Quiet Room and "Music for Prague".
2000s
In 2004, Fripp and Eno recorded another ambient collaboration album, The Equatorial Stars. Eno returned in June 2005 with Another Day on Earth, his first major album since Wrong Way Up (with John Cale) to prominently feature vocals (a trend continued with Everything That Happens Will Happen Today). The album differs from his 70s solo work as musical production has changed since then, evident in its semi-electronic production. In early 2006, Eno collaborated with David Byrne, again, for the reissue of My Life in the Bush of Ghosts in celebration of the influential album's 25th anniversary. Eight previously unreleased tracks, recorded during the initial sessions in 1980/81, were added to the album, while one track, "Qu'ran", was removed due to requests from Muslims. An unusual interactive marketing strategy that coincided with its re-release, the album’s promotional website features the ability for anyone to officially and legally download the multi-tracks of two songs from the album, "A Secret Life" and "Help Me Somebody". Individuals can then remix and upload new mixes of these tracks to the website so others can listen to and rate them. In late 2006, Eno released 77 Million Paintings, a program of generative video and music specifically for the PC. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never quite hear the same arrangement twice. The second edition of "77 Million Paintings" featuring improved morphing and a further two layers of sound was released on 14 January 2008. In 2007, Eno's music was featured in a movie adaption of Irvine Welsh's best-selling collection Ecstasy: Three Tales of Chemical Romance. He also appeared playing keyboards in Voila, Belinda Carlisle's solo album sung entirely in French. Also in 2007, Eno contributed a composition titled "Grafton Street" to Dido's third album, Safe Trip Home, released in November 2008. In December 2008 Paramount Pictures confirmed Brian Eno is scoring music for Peter Jackson’s film adaptation of The Lovely Bones, released in December 2009. In 2008, he released Everything That Happens Will Happen Today with David Byrne, designed the sound for the video game Spore and wrote a chapter to Sound Unbound: Sampling Digital Music and Culture, edited by Paul D. Miller (a.k.a. DJ Spooky). Eno revealed on radio in May 2009 that a skin graft he received as treatment for a severe burn on his arm was part human skin, part carbon fibre. He explained that as human skin is based on carbon, the experimental treatment was likely going to work out well for him, in spite of the fact that he feels a lightness in the affected arm. In June 2009 Eno curated the Luminous Festival at Sydney Opera House, culminating in his first live appearance in many years. "Pure Scenius" consisted of three live improvised performances on the same day, featuring Eno, Australian improv trio The Necks, Karl Hyde from Underworld, electronic artist Jon Hopkins and guitarist Leo Abrahams. In May 2010 the same Pure Scenius line-up as in 2009 performed 'This is Pure Scenius!', in the same format of three live improvised performances on the same day, at the Brighton Festival in England. Also at the 2010 Brighton Festival, after a performance of Woojun Lee's live arrangement of 'Apollo: Atmospheres and Soundtracks' by Icebreaker and BJ Cole, Eno and the band performed four of his songs.
Brian Eno - Interview Lecture
Brian Eno - 77 Million Paintings Interview
Brian Eno - By This River
Brian Eno - Music For Airports
No comments:
Post a Comment